Lot 197
Jozef Israëls
(Dutch, 1824-1911)
Souvenir de Tanger
watercolor on paper
signed 'Jozef Israels' lower right signed again 'J Israels' and inscribed with title on the reverse "Souvenir de Tanger" H.T.M. 16809 (Hollandse Teeken Maatschappij)
19 7/8 x 28 1/2in (50.5 x 72.5cm)
Provenance: Kunsthandel Francois Buffa et Fils, Amsterdam. Collection F. Tessaro, Amsterdam.
sold Frederik Muller & Co, Amsterdam, 11 April 1916.
sold De Zon, Amsterdam, 19 September 1978, lot 4031.
sold Christie's, Amsterdam, 29 October 1997, lot 2349.
Property from the Collection of Kate Edelman Johnson sold to benefit The Johnson Charitable Remainder Unitrust and the Deane F. Johnson Alzheimer's Research Foundation.
Exhibitions: Kampen, Gemeentelijke Expositie ruimte, Jozef Israels, 20 June 6 September 1987, cat. no. 38.
Literature: Jozef Israels,
Spanje-een reisverhaal , 1899.
W. Steenhoff, Onze kunst 3 (1904)
Jozef Israels, p. 29-51 (illus. op p. 36.).
Footnote: Jozef Israëls (27 January 1824 - 12 August 1911) was a leading member of the group of landscape painters referred to as the Hague School and, during his lifetime compared to Jean-François Millet., considered the most respected Dutch artist of the second half of the nineteenth century and even hailed as a second Rembrandt by some.
In 1855, after spending time in various art academies including the École des Beaux Arts in Paris and working as an academic history and landscape painter, after an illness he spent time convalescing in the fishing village of Zandvoort near Haarlem. It was there he witnessed the poverty of the fishermen and their families and his style changed dramatically. Israëls' work took on a poignant sense of empathy with the subjects and moments of life he captured.
In May 1894 Jozef Israëls traveled to Spain and North Africa with his son Isaac, also a painter, and the writer Frans Erens. Working often with his son, Israëls' paintings became more luminous, resembling Isaac's style. The piece offered here captures the artist's late oeuvre with glowing light, subtle brushwork and a very sensitive approach to his subject matter.
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Condition:
There is frame abrasion along the edges and corners. The corners are slightly bumped. There is a pinhole in each of the corners. There is some buckling to the paper.
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