Description:

Edmund Dulac
(French, 1882-1953)
Walter Rummel at the Piano, 1915
watercolor, pencil on paper
signed Edmund Dulac to lower left

  • Provenance:
    With Chris Beetles Ltd., London.
    Sold Sotheby's, London, 21 November 1995, lot 122.
    Property from a Private Collection in Beverly Hills, CA with proceeds to go to the Cotsen Foundation for the Art of Teaching.

  • Dimensions: 9 3/8 x 7 3/8in (24 x 18.7cm)
  • Exhibited:
    Illustrators Exhibition, November 1986, No. 63.

    Footnote
    Walter Rummel (1887-1953) born in Berlin. Both of his parents were pianists, no surprises there. His father was a successful British concert pianist, his mother, née Morse, was a fine amateur pianist and the daughter of the American Samuel Morse, respected painter, inventor of the telegraph and developer of Morse Code. But anglophone though he may have been, Walter was born and raised in Berlin where he studied with Leopold Godowsky.

    Rummel moved to Paris in his early twenties after rejecting an invitation from Paderewski to come and study with that pianistic legend, and there met Debussy with whom he became close friends and for whose music he was a passionate advocate.
    It must have been wonderfully interesting and exciting to be Walter Rummel. He was a very successful concert pianist in his own right, and a sought after soloist playing often with leading conductors such as Felix Weingartner, Henry Wood, Paul Paray, and André Cluytens. He was also a composer of note. His songs were performed by some of the great singers of his time, not least of whom included Maggie Teyte, Marian Anderson, and John McCormack. He was cultured and literary and could name among his friends Ezra Pound, George Bernard Shaw, and William Butler Yeats, and Queen Elisabeth and King Leopold III of Belgium (the same Leopold my late brother in law, a Belgian baron and WWII resistance leader helped to depose after the war for being a bit too chummy with the enemy). And he was for several years romantically involved with Isadora Duncan. My envy has resulted in my taking on a greenish tinge. Courtesy of Forte Piano
  • Medium: watercolor, pencil on paper
  • Condition: Matted and framed. 16 x 14 in. (41 x 36 cm.) Very good overall.

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